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Arman
Charles Arnoldi
Francis Bacon
John Baldessari
Banksy
Charles Bell
Peter Blake
Derek Boshier
Kevin Bourgeois
Patrick Boussignac
Otto Bruch
Peter Buchman
Daniel Buren
GuangBin Cai
Cake & Neave (The Little Artists)
Alexander Calder
Enrique Chagoya
Eric Chan
Wenling Chen
Jim Christensen
Ronnie Cutrone
Davis & Davis
Andy Diaz Hope
Steven Dryden
Sofia Echeverri
Faile
Linda Frost
Stephen Giannetti
David Gremard Romero
Fernando Guevara
Keith Haring
Gottfried Helnwein
Damien Hirst
David Hockney
Hush
Robert Indiana
Paul Jenkins
Brian Jones
Wonkun Jun
Anish Kapoor
Jacob Kassay
Adam Katseff
Jeff Kellar
Alexander Lee
Tamara de Lempicka
Chris Levine
Roy Lichtenstein
Tim Liddy
Kareem Lotfy
Charles Lutz
David Mach
Gabriel Mendoza
Norman Mooney
Malcolm Morley
Sarah Morris
Pard Morrison
Robert Motherwell
Takashi Murakami
David Nadel
James Nares
Jimmy Ong
Richard Pettibone
Joey Piziali
Patrick Procktor
Sohan Qadri
Robert Rauschenberg
James Rosenquist
Thomas Ruff
Ed Ruscha
Ivan Sagito
Koeboe Sarawan
Francesco Scavullo
Richard Serra
Charles Sherman
Thad Simerly
Hunt Slonem
Justine Smith
Al Souza
STATIC
Frank Stella
Tim Sullivan
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Ignacio Uriarte
Andy Warhol
John Waters
Dong Wei
John Westmark
Donald Roller Wilson
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Zeus



David Mach

b. 18 March 1958 Methil, Fife, UK
1979 Duncan of Jordanstone College of Art, Dundee
1982 Royal College of Art, London
Lives and works in London

Multiple mass-produced objects, most notably magazines, newspapers and car tyres, have been used consistently by Mach throughout his career. He brings diverse items together in large-scale installations with humour and social comment. His work is representational and controversial. An early work, Polaris 1983, shown at the Hayward Gallery in London, took the form of a submarine, but made of used car tyres.

David Mach's sculpture is on the verge of being completely overwhelming in its scale and audacity. The density of these installations is echoed in his smaller sculptures where multiple objects are used to make the whole. Typical are the match head series: portraits made from unstruck matches glued together so that only the coloured heads show on the surface. A series of Mach's monumental photo-collages were displayed at the Millennium Dome. Recently, he has begun to make double-sized female figures from small, square objects such as three-dimensional postcards and scrabble pieces. These curvaceous ladies tower over the viewer, revealing their intricate construction.

A random look at his biography shows a life full of activity. For example, in 1989 there are listed twelve exhibitions or installations in ten different cities, ranging from San Francisco to Madrid and Milton Keynes to Melbourne. This is typical of his hectic work pattern, which built up to this pitch within four years of his leaving the Royal College, and continues unabated. He has recently been made a Royal Academician and was on the hanging committee for the 2006 Summer Exhibition.

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