Peter Anton
Arman
Charles Arnoldi
Francis Bacon
John Baldessari
Banksy
Charles Bell
Peter Blake
Derek Boshier
Kevin Bourgeois
Patrick Boussignac
Otto Bruch
Peter Buchman
Daniel Buren
GuangBin Cai
Cake & Neave (The Little Artists)
Alexander Calder
Enrique Chagoya
Eric Chan
Wenling Chen
Jim Christensen
Ronnie Cutrone
Davis & Davis
Andy Diaz Hope
Steven Dryden
Sofia Echeverri
Faile
Linda Frost
Stephen Giannetti
David Gremard Romero
Fernando Guevara
Keith Haring
Gottfried Helnwein
Damien Hirst
David Hockney
Hush
Robert Indiana
Paul Jenkins
Brian Jones
Wonkun Jun
Anish Kapoor
Adam Katseff
Jeff Kellar
Alexander Lee
Tamara de Lempicka
Chris Levine
Roy Lichtenstein
Tim Liddy
Kareem Lotfy
Charles Lutz
David Mach
Gabriel Mendoza
Norman Mooney
Malcolm Morley
Sarah Morris
Pard Morrison
Robert Motherwell
Takashi Murakami
David Nadel
James Nares
Jimmy Ong
Richard Pettibone
Joey Piziali
Patrick Procktor
Sohan Qadri
Robert Rauschenberg
James Rosenquist
Thomas Ruff
Ed Ruscha
Ivan Sagito
Koeboe Sarawan
Francesco Scavullo
Richard Serra
Charles Sherman
Thad Simerly
Hunt Slonem
Justine Smith
Al Souza
STATIC
Frank Stella
Tim Sullivan
Sunday B Morning
MangZi Tian
Ignacio Uriarte
Andy Warhol
John Waters
Dong Wei
John Westmark
Donald Roller Wilson
Richard Winkler
Shaoxiang Wu
Russell Young
Zeus



MangZi Tian

Tian MangZi was born in Shenyang in 1968. He started painting from an early age before he was a teenager. He studied ink and brush under the guidance of Chinese masters who taught him to paint landscapes. At 18 he entered the Shenyang Lu Xun Academy of Fine Arts, graduating in 1990 with a Bachelor of Fine Arts degree. In 1992 he attended the classical Chinese paintings department of the Academy of Fine Arts of Xi’an and graduated with a Master’s degree in 1995. From 1999-2002 he taught painting at the Shenyang Lu Xun Academy of Fine Arts. He has worked as a full-time artist since 2002.
When Tian Mangzi began to paint still life he focussed on trying to understand the structure and character of the pear, orange, banana and other fruits and vegetables. He finally chose the apple as his favourite object for still life paintings because it has the same characteristics of simplicity and complexity, just like Planet Earth.
One year after he started to focus on painting apples, he suddenly realized the reason for doing so. It was “an impulse to overthrow the accursed world and then to create a new, beautiful, peaceful planet which belongs to everyone.” Tian Mangzi does not tire of painting apples because he says, “What I have painted is not apples but planets.”
Tian Mangzi explains, “Chinese attitude is to suggest a shape as a hint of the universe. Chinese philosophy is based on emotion rather than logic or rationality. My art has two functions: firstly, to construct an apple, and secondly to try to encourage the viewer to move into a second stage of realizing that the shape represents the universe.
The apples/planets are suspended in space, but “space” has been removed so that the dimensional effect remains.”
The various colours that Tian Mangzi uses represent the different types of people, character and environment. The colours are his attempt to achieve happiness.
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