Peter Anton
Arman
Charles Arnoldi
Francis Bacon
John Baldessari
Banksy
Charles Bell
Peter Blake
Derek Boshier
Kevin Bourgeois
Patrick Boussignac
Otto Bruch
Peter Buchman
Daniel Buren
GuangBin Cai
Cake & Neave (The Little Artists)
Alexander Calder
Enrique Chagoya
Eric Chan
Wenling Chen
Jim Christensen
Ronnie Cutrone
Davis & Davis
Andy Diaz Hope
Steven Dryden
Sofia Echeverri
Faile
Linda Frost
Stephen Giannetti
David Gremard Romero
Fernando Guevara
Keith Haring
Gottfried Helnwein
Damien Hirst
David Hockney
Hush
Robert Indiana
Paul Jenkins
Brian Jones
Wonkun Jun
Anish Kapoor
Adam Katseff
Jeff Kellar
Alexander Lee
Tamara de Lempicka
Chris Levine
Roy Lichtenstein
Tim Liddy
Kareem Lotfy
Charles Lutz
David Mach
Gabriel Mendoza
Norman Mooney
Malcolm Morley
Sarah Morris
Pard Morrison
Robert Motherwell
Takashi Murakami
David Nadel
James Nares
Jimmy Ong
Richard Pettibone
Joey Piziali
Patrick Procktor
Sohan Qadri
Robert Rauschenberg
James Rosenquist
Thomas Ruff
Ed Ruscha
Ivan Sagito
Koeboe Sarawan
Francesco Scavullo
Richard Serra
Charles Sherman
Thad Simerly
Hunt Slonem
Justine Smith
Al Souza
STATIC
Frank Stella
Tim Sullivan
Sunday B Morning
MangZi Tian
Ignacio Uriarte
Andy Warhol
John Waters
Dong Wei
John Westmark
Donald Roller Wilson
Richard Winkler
Shaoxiang Wu
Russell Young
Zeus



James Nares

b. 1953, New York, USA
Chelsea College of Art, London
School of Visual Arts, New York
Lives and works in New York

It always seemed to me that there was enough happening within the movement of a brush to keep me interested
Ė James Nares

James Nares produces artworks that capture the moment of their creation. Working in the medium of film, printmaking and paint, the artist is interested in recording time and motion.

Nares moved to New York in the 1970s and became part of the artistic milieu. He was part of the 'No Wave' music scene, performing with the band The Contortions and living in the loft district of Tribeca. The artist undertook various creative endeavours as a musician, filmmaker, performer and visual artist. While his early paintings were figurative, the single brush stroke remained a central presence in his work. The artistís practice has evolved through a process of stripping away elements, reducing the process until it involves the creation of a single brushstroke.

Naresí paintings involve the creation of physical and temporal space. The artist repeatedly recreates a mark in order to achieve the image he is satisfied with. Each piece involves a dynamic interplay between uncontrolled spontaneity and conscious act. A work can be achieved in a single attempt or after hundreds of attempts. The brushstroke is a central form for Nares, functioning as a structure that he expands and experiments within. Naresí continuous brushstrokes are richly coloured, vivid, luminous, energised forms.

The physical process of creation is essential to Naresí work. In order to achieve the mark he desires, he creates his own paintbrushes using different materials including feathers and foam rubber. The artist also utilises apparatus and devices to create an artwork, including a rig that allows him to paint while suspended above the piece. The brushstrokes are self-contained forms, suspended on the canvas. Each work embodies the artistís physicality, the motion of his body and the gesture of his hand.

In 2008 the artistís film and video works were exhibited in a complete retrospective at the Anthology Museum Archives, New York. In 2013, a significant monograph will be published featuring the artistís work across four decades. Work by Nares can be found in public and private collections including the Whitney Museum of American Art, New York; Albert Knox Gallery, New York; and the Museum of Modern Art, New York.
1 artworks
1
 
Gallery Policy | Copyright © 2017 COLLECTORS CONTEMPORARY PTE LTD. All Rights Reserved.