Peter Anton
Arman
Charles Arnoldi
Francis Bacon
John Baldessari
Banksy
Charles Bell
Peter Blake
Derek Boshier
Kevin Bourgeois
Patrick Boussignac
Otto Bruch
Peter Buchman
Daniel Buren
GuangBin Cai
Cake & Neave (The Little Artists)
Alexander Calder
Enrique Chagoya
Eric Chan
Wenling Chen
Jim Christensen
Ronnie Cutrone
Davis & Davis
Andy Diaz Hope
Steven Dryden
Sofia Echeverri
Faile
Linda Frost
Stephen Giannetti
David Gremard Romero
Fernando Guevara
Keith Haring
Gottfried Helnwein
Damien Hirst
David Hockney
Hush
Robert Indiana
Paul Jenkins
Brian Jones
Wonkun Jun
Anish Kapoor
Adam Katseff
Jeff Kellar
Alexander Lee
Tamara de Lempicka
Chris Levine
Roy Lichtenstein
Tim Liddy
Kareem Lotfy
Charles Lutz
David Mach
Gabriel Mendoza
Norman Mooney
Malcolm Morley
Sarah Morris
Pard Morrison
Robert Motherwell
Takashi Murakami
David Nadel
James Nares
Jimmy Ong
Richard Pettibone
Joey Piziali
Patrick Procktor
Sohan Qadri
Robert Rauschenberg
James Rosenquist
Thomas Ruff
Ed Ruscha
Ivan Sagito
Koeboe Sarawan
Francesco Scavullo
Richard Serra
Charles Sherman
Thad Simerly
Hunt Slonem
Justine Smith
Al Souza
STATIC
Frank Stella
Tim Sullivan
Sunday B Morning
MangZi Tian
Ignacio Uriarte
Andy Warhol
John Waters
Dong Wei
John Westmark
Donald Roller Wilson
Richard Winkler
Shaoxiang Wu
Zeus



David Gremard Romero

b. 1975 California, USA
2001 BFA San Francisco Art Institute
Lives and works in San Francisco and Mexico

The central preoccupation of David Gremard Romero’s work is “embedding contemporary iconography and themes in a classical figurative craft, seeking to tease out the hidden relationships and continuities between classical art and current culture.”

Gremard Romero’s Metamorphosis, 2006 - an homage to the ancient Roman poet Ovid’s epic poem with the same title – narrates the classical mythologies such as stories of Syrinx and Pan, Orpheus and Eurydice, Argus, Pygmalion and Actaeon. However, Gremard Romero depicts these mythological personas together with superheroes and esoteric figures of our time, such as the DC Comics’ Wonderwoman, Mexican pro wrestler Mil Máscaras and the magician Houdini: through his depiction alongside these characters, the artist himself is transformed into once of them. Like a frieze structure in ancient Greek temples, Gremard Romero’s work encapsulates the artist’s struggle to confront the complicated issues of identity such as race, gender and sexuality.

In his more recent works, the artist explores themes from the colonial era of the New World with various media such as ceramic and textile. For example, his Luchador (Mexican free-fight wrestler) costumes, hand-embroidered by the Zapotec Indians of Southern Mexico, represent the socio cultural narratives of pre-Colombian culture and its ongoing influence on contemporary societies in Central America.

Gremard Romero has exhibited extensively in California region, including the San Francisco's 22nd Annual Berkeley Art Center National Juried Exhibition in 2005.

David Gremard Romero is represented by Collectors Contemporary.
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