Peter Anton
Charles Arnoldi
Francis Bacon
John Baldessari
Charles Bell
Peter Blake
Kevin Bourgeois
Patrick Boussignac
Otto Bruch
Peter Buchman
Daniel Buren
GuangBin Cai
Cake & Neave (The Little Artists)
Alexander Calder
Enrique Chagoya
Eric Chan
Jim Christensen
Dan Colen
Ronnie Cutrone
Felix d´Eon
Davis & Davis
Andy Diaz Hope
Steven Dryden
Marlene Dumas
Sofia Echeverri
Linda Frost
Stephen Giannetti
David Gremard Romero
Fernando Guevara
Keith Haring
Gottfried Helnwein
Damien Hirst
David Hockney
Paul Jenkins
Brian Jones
Wonkun Jun
Anish Kapoor
Adam Katseff
Jeff Kellar
William Kentridge
Alexander Lee
Tamara de Lempicka
Chris Levine
Roy Lichtenstein
Tim Liddy
Kareem Lotfy
Charles Lutz
David Mach
Gabriel Mendoza
Norman Mooney
Malcolm Morley
Sarah Morris
Pard Morrison
Takashi Murakami
David Nadel
Claes Oldenburg
Jimmy Ong
Richard Pettibone
Joey Piziali
Larry Poons
Patrick Procktor
Sohan Qadri
Robert Rauschenberg
Man Ray
James Rosenquist
Thomas Ruff
Ed Ruscha
Ivan Sagito
Koeboe Sarawan
Francesco Scavullo
Richard Serra
Charles Sherman
Thad Simerly
Natthawut Singthong
Hunt Slonem
Justine Smith
Al Souza
Frank Stella
Renee Stout
Tim Sullivan
Sunday B Morning
MangZi Tian
Ignacio Uriarte
Andy Warhol
John Waters
Dong Wei
John Westmark
Kehinde Wiley
Donald Roller Wilson
Richard Winkler
Shaoxiang Wu
Russell Young

Ignacio Uriarte

b. 1972 Krefeld, Germany
1992-1995 studied Business Administration in Madrid and Mannheim
1999-2002 studied audiovisual arts in Guadalajara, Mexico
Lives and works in Barcelona and Berlin.

After having worked for corporations such as Siemens, Canon, Interlub and Agilent Technologies in Germany, Spain and Mexico, Uriarte dedicated himself to what he calls ‘Office Art’. The monotonous office routines such as scribbling while on the phone become a powerful source of aesthetic activities, for example, Bic Monochromes, 2005 comprise of three drawings responding to three audio tracks. Drawing repeatedly from left to right and right to left, he created three monochrome drawings in black, blue and red; the colour of the office ruled by a French pen-manufacturer ‘Bic’.

Similarly, his Single Line Labyrinths series, 2007 is a striking visual labyrinth created by basic predetermined rules. The intricate image of seemingly intertwined lines is in fact a single circular line covering the entire page of an Excel-sheet. Uriarte’s works evoke an ironical resemblance between modernist abstract art and the office routines. The former is the outcome of artistic struggles to search for the individual freedom and metaphysical truth, whilst the latter is the very opposite to these struggles.

Uriarte exhibited extensively in Spain and Germany, including solo shows at the Centro Galego de Arte Contemporáneo, Santiago de Compostela in 2007 and Out of office, Damenundherren E.V., Düsseldorf in 2005. He received the production grant from the Museo de Arte Contemporáneo de Castilla y León (MUSAC) in 2006 and the visual art grant from the The Caja de Ahorros del Mediterraneo (CAM, Spanish Bank) in 2007. His works are in the collection of the MUSAC.

3 artworks
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