Peter Anton
Charles Arnoldi
Francis Bacon
John Baldessari
Charles Bell
Peter Blake
Kevin Bourgeois
Patrick Boussignac
Otto Bruch
Peter Buchman
Daniel Buren
GuangBin Cai
Cake & Neave (The Little Artists)
Alexander Calder
Enrique Chagoya
Eric Chan
Jim Christensen
Dan Colen
Ronnie Cutrone
Felix d´Eon
Davis & Davis
Andy Diaz Hope
Steven Dryden
Marlene Dumas
Sofia Echeverri
Linda Frost
Stephen Giannetti
David Gremard Romero
Fernando Guevara
Keith Haring
Gottfried Helnwein
Damien Hirst
David Hockney
Paul Jenkins
Brian Jones
Wonkun Jun
Anish Kapoor
Adam Katseff
Jeff Kellar
William Kentridge
Alexander Lee
Tamara de Lempicka
Chris Levine
Roy Lichtenstein
Tim Liddy
Kareem Lotfy
Charles Lutz
David Mach
Gabriel Mendoza
Norman Mooney
Malcolm Morley
Sarah Morris
Pard Morrison
Takashi Murakami
David Nadel
Claes Oldenburg
Jimmy Ong
Richard Pettibone
Joey Piziali
Larry Poons
Patrick Procktor
Sohan Qadri
Robert Rauschenberg
Man Ray
James Rosenquist
Thomas Ruff
Ed Ruscha
Ivan Sagito
Koeboe Sarawan
Francesco Scavullo
Richard Serra
Charles Sherman
Thad Simerly
Natthawut Singthong
Hunt Slonem
Justine Smith
Al Souza
Frank Stella
Renee Stout
Tim Sullivan
Sunday B Morning
MangZi Tian
Ignacio Uriarte
Andy Warhol
John Waters
Dong Wei
John Westmark
Kehinde Wiley
Donald Roller Wilson
Richard Winkler
Shaoxiang Wu
Russell Young

Fernando Guevara

b. 1969 Mexico City, Mexico
Lives and works in Mexico City

Works by Luis Fernando Guevara Garcia deal with the melancholy and nostalgia of childhood. As the critic Antonio Marquet points out, there is a `prevailing tension caused by contrasting elements in Guevara’s works: children and violence, toys and fragmented bodies, passivity in the face of aggression.’

His works such as El Niño Que Arranccó Sonrisas (The Boy Who Stole Smiles) and Los Niños No Lloran (Boys do not cry) represent moments of `mini-dramas’ in which happiness and frustration coexist. This aspect of two opposite factors also plays a significant role in other works by Guevara like Ni Tanto Que Queme Al Santo, 2006, a child-like depiction of the Spanish proverb "Ni tanto que queme al santo, ni tan poco que no lo alumbre" (Put the candle not so close that it would burn the saint, nor so far that it will fail to light him).

Guevara has exhibited at numerous art institutions in Mexico including the Centro Cultural San Angel, Museo Rufino Tamayo, and Museo Alhóndiga de Granaditas. His work was selected for the XI Bienal de Pintura Rufino Tamayo in 2002.

3 artworks
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