Peter Anton
Charles Arnoldi
Francis Bacon
John Baldessari
Charles Bell
Peter Blake
Kevin Bourgeois
Patrick Boussignac
Otto Bruch
Peter Buchman
Daniel Buren
GuangBin Cai
Cake & Neave (The Little Artists)
Alexander Calder
Enrique Chagoya
Eric Chan
Jim Christensen
Dan Colen
Ronnie Cutrone
Felix d´Eon
Davis & Davis
Andy Diaz Hope
Steven Dryden
Marlene Dumas
Sofia Echeverri
Linda Frost
Stephen Giannetti
David Gremard Romero
Fernando Guevara
Keith Haring
Gottfried Helnwein
Damien Hirst
David Hockney
Paul Jenkins
Brian Jones
Wonkun Jun
Anish Kapoor
Adam Katseff
Jeff Kellar
William Kentridge
Alexander Lee
Tamara de Lempicka
Chris Levine
Roy Lichtenstein
Tim Liddy
Kareem Lotfy
Charles Lutz
David Mach
Gabriel Mendoza
Norman Mooney
Malcolm Morley
Sarah Morris
Pard Morrison
Takashi Murakami
David Nadel
Claes Oldenburg
Jimmy Ong
Richard Pettibone
Joey Piziali
Larry Poons
Patrick Procktor
Sohan Qadri
Robert Rauschenberg
Man Ray
James Rosenquist
Thomas Ruff
Ed Ruscha
Ivan Sagito
Koeboe Sarawan
Francesco Scavullo
Richard Serra
Charles Sherman
Thad Simerly
Natthawut Singthong
Hunt Slonem
Justine Smith
Al Souza
Frank Stella
Renee Stout
Tim Sullivan
Sunday B Morning
MangZi Tian
Ignacio Uriarte
Andy Warhol
John Waters
Dong Wei
John Westmark
Kehinde Wiley
Donald Roller Wilson
Richard Winkler
Shaoxiang Wu
Russell Young


STATIC is the creative output of London-based image makers Tom Jackson and Craig Evans. Working out of their studio in the East end of London, the duo employ myriad techniques including painting, screenprinting, drawing, stenciling and spray-painting. Inspired by popular culture, music, film and current events, their fresh ultra contemporary works are instantly recognisable for their polished graphic style, explosive electric colours and layered imagery.

Combining backgrounds in Graphic Communication and Fine Art, STATIC complete every stage of their creative process in house and by hand: from cutting large-scale intricately detailed stencils by hand, to hand drawn typography. They take an innovative approach to materials and have previously employed such diverse constituents as wood, metal, Perspex, glass, diamond dust, resin, ash and magnesium powder. Since 2010, they have been working with transparency and texture by layering images using glass and aluminum. Their layered glass pieces change according to the position of the viewer, enacting a dynamic interplay between shape, colour and perspective. Their practice involves deconstruction and reconfiguration. By breaking down elements and layering them in unexpected ways, the artists create artworks that unfold before the eyes of the viewer.

STATICís works are timely and respond to the contemporary moment. Whether they are celebrating the Diamond Jubilee in Lovely Jubilee, exploring the commodification of art and fashion in Luxury Vandals, creating street pieces around the world using their Chinook Chandelier motif, or mischievously depicting royal graffiti in Queen Vandal, STATIC sample the icons and motifs of contemporary popular culture with rebellious humour and wit. Demonstrating their skill as colourists, bright hues are overlaid and juxtaposed: imbuing shapes with energy and making colours pop.

Jackson and Evans have collaborated since 2006. They have exhibited internationally: in the US, UK Japan, Italy, India and Moscow. Their work is held in the private collection of the Saudi Arabian Royal Family.
41 artworks
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