Peter Anton
Charles Arnoldi
Francis Bacon
John Baldessari
Charles Bell
Peter Blake
Kevin Bourgeois
Patrick Boussignac
Otto Bruch
Peter Buchman
Daniel Buren
GuangBin Cai
Cake & Neave (The Little Artists)
Alexander Calder
Enrique Chagoya
Eric Chan
Jim Christensen
Dan Colen
Ronnie Cutrone
Felix d´Eon
Davis & Davis
Andy Diaz Hope
Steven Dryden
Marlene Dumas
Sofia Echeverri
Linda Frost
Stephen Giannetti
David Gremard Romero
Fernando Guevara
Keith Haring
Gottfried Helnwein
Damien Hirst
David Hockney
Paul Jenkins
Brian Jones
Wonkun Jun
Anish Kapoor
Adam Katseff
Jeff Kellar
William Kentridge
Alexander Lee
Tamara de Lempicka
Chris Levine
Roy Lichtenstein
Tim Liddy
Kareem Lotfy
Charles Lutz
David Mach
Gabriel Mendoza
Norman Mooney
Malcolm Morley
Sarah Morris
Pard Morrison
Takashi Murakami
David Nadel
Claes Oldenburg
Jimmy Ong
Richard Pettibone
Joey Piziali
Larry Poons
Patrick Procktor
Sohan Qadri
Robert Rauschenberg
Man Ray
James Rosenquist
Thomas Ruff
Ed Ruscha
Ivan Sagito
Koeboe Sarawan
Francesco Scavullo
Richard Serra
Charles Sherman
Thad Simerly
Natthawut Singthong
Hunt Slonem
Justine Smith
Al Souza
Frank Stella
Renee Stout
Tim Sullivan
Sunday B Morning
MangZi Tian
Ignacio Uriarte
Andy Warhol
John Waters
Dong Wei
John Westmark
Kehinde Wiley
Donald Roller Wilson
Richard Winkler
Shaoxiang Wu
Russell Young

James Rosenquist

b. 1933 Grand Forks, North Dakota, USA
1955 Arts Students League, New York
1954 BA University of Minnesota
Lives and works in Aripeka FL, USA

As one of the central figures of the American Pop art movement in the 1960s, James Rosenquist embraced not only subject matters of mass culture but also its technique and visual mechanism. His experience as a commercial billboard and mural painter differentiated his works from those of other Pop artists. With the structure of a billboard on which disparate images from various advertisements are juxtaposed, fragmented images in Rosenquist’s works in their gigantic scale are often indiscernible at first glance.

Space Dust, 1989 is a part of the Welcome to the Water Planet series, which originated from his time working at the Tyler Graphics Studio in New York in the 1980s, where he explored making paper pulp works and other new materials and techniques. A celebration of life and planet earth, the series is also a warning of the consequences of man´s effects on it: the natural world poised against that of man and machine and their destructive tendencies.

Rosenquist has numerous retrospectives at museums worldwide and his works are held in public collections of numerous museums including the Guggenheim Museum, the Museum of Modern Art, New York, USA, the Tate Modern, London, UK, Museo Thyssen-Bornemisza, Madrid, Spain and the Museum Für Moderne Kunst, Frankfurt, Germany.

2 artworks
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