Peter Anton
Ahmad Zakii Anwar
Arman
Charles Arnoldi
Francis Bacon
John Baldessari
Beejoir
Charles Bell
Peter Blake
Kevin Bourgeois
Patrick Boussignac
Otto Bruch
Peter Buchman
Daniel Buren
GuangBin Cai
Cake & Neave (The Little Artists)
Alexander Calder
Enrique Chagoya
Eric Chan
Jim Christensen
Dan Colen
Ronnie Cutrone
Felix d´Eon
Davis & Davis
Andy Diaz Hope
Steven Dryden
Marlene Dumas
Sofia Echeverri
Faile
Joe Fleming
Linda Frost
Sheetal Gattani
Stephen Giannetti
David Gremard Romero
Fernando Guevara
David Hamill
Hanafi
Keith Haring
Gottfried Helnwein
Damien Hirst
David Hockney
Hush
Paul Jenkins
Brian Jones
Wonkun Jun
Anish Kapoor
Adam Katseff
Jeff Kellar
William Kentridge
Alexander Lee
Tamara de Lempicka
Chris Levine
Roy Lichtenstein
Tim Liddy
Kareem Lotfy
Charles Lutz
Richard MacDonald
David Mach
Marcell
Gabriel Mendoza
Norman Mooney
Luis E. Moris
Malcolm Morley
Sarah Morris
Pard Morrison
Takashi Murakami
David Nadel
Kumari Nahappan
Qi Nan
Nasirun
Claes Oldenburg
Jimmy Ong
Richard Pettibone
Joey Piziali
Larry Poons
Patrick Procktor
Sohan Qadri
Robert Rauschenberg
Man Ray
Marc Riboud
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Ed Ruscha
Ivan Sagito
Koeboe Sarawan
Francesco Scavullo
Richard Serra
Charles Sherman
Thad Simerly
Natthawut Singthong
Hunt Slonem
Justine Smith
Al Souza
STATIC
Frank Stella
Renee Stout
Tim Sullivan
Sunday B Morning
MangZi Tian
Ignacio Uriarte
Andy Warhol
John Waters
Dong Wei
John Westmark
Kehinde Wiley
Donald Roller Wilson
Richard Winkler
Shaoxiang Wu
Russell Young
Zeus
DeLong Zheng



John Waters

b. 1946 Baltimore, Maryland, USA
Writer, photographer and filmmaker
Lives and works in Baltimore, USA

Cult film celebrity John Waters is most famously known for his controversial films such as Mondo Trasho, 1969 and Pink Flamingos, 1972. Like his films dealing with taboo subjects and fetishism, Waters’ art reflects the grotesque, sometimes filthy, repressed sides of the human psyche.

His own movie, The Diane Linkletter Story, 1969 and Sam Newfield’s I Accuse My Parents, 1944 are the apparent sources for his works Bad Trip, 2006 and I Accuse, 2006. However, beyond a mere portrayal of juvenile delinquency, Waters’ works reflect contemporary politics and social illness, shattering the complacency of the establishment. Photographic images in sequence, alluding to the film editing process, lead viewers to reconstruct their own narratives.

Waters´ work has been exhibited around the world, including the Warhol Museum, Pittsburgh, Newport Beach, the New Museum, New York. In 2006, he had a retrospective at The Orange County Museum of Art, California.

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